A major cause of many people's sadness is their lack of attaining things they could live without.
This is ironic. A person demands things because he wishes to live a happier life. But with that very demand, he causes himself much unhappiness. Give up your demand for what you are unable to obtain and you will live a happier life.
Love Yehuda Lave
"One of the most tragic things I know about human nature is that all of us tend to put off living. We are all dreaming of some magical rose garden over the horizon instead of enjoying the roses that are blooming outside our windows today." - Dale Carnegie
From my friend Linda Simons--pictures of flowers and hikes in the Desert
"Desert at the right time" because the weather in my new January-February home in Israel's desert has January temps of 65′ days and 40′ nights, a far cry from summers' 103′ days! More about the Arava and this new region, later.
Like the Grand Canyon…amazing…like Mars…I want to stay to do all these hikes…who knew(this was here)?…breathtaking…no one told me. . .
After map-studying and internet research I visited Timna Park. What I found rendered me muttering aloud "like the Grand Canyon…amazing…like Mars…I want to stay to do all these hikes…who knew?!…breathtaking…no one told me. . . over and over, all day.
My photos don't do it justice, but I'm sorry to say that were you to fly here for a full 2-week tour, you'd likely not make it this far. Most don't.
Kahane on the Parsha Rabbi Meir Kahane- Parshat Shemot WHOEVER STRIKES A JEW STRIKES G-D
"And [Moses] saw an Egyptian man striking one of his fellow Hebrews; he looked this way and that, saw there was no one around, and struck the Egyptian and buried him in the sand" (Exodus 2:11-12).
Moses could have walked away from the scene with any number of rationalizations. He could have said to himself: "Is it really worthwhile to endanger myself by killing this Egyptian? Wouldn't it be better to turn away? After all, I am a member of the royal family and in a position to help the Israelites in the future when the time is right."
Moreover, Moses could have reasoned that killing the Egyptian was not "worth it" since the Jew was already dead, as the Midrash (Shemot Rabba 1:28) seems to indicate. What good, then, would killing the Egyptian do? Would it bring the Jew back to life? And if the Jew was dead, maybe it was forbidden for him to endanger himself by getting involved.
Moses understood, however, that such rationalizations are improper. He understood that in a situation of Chillul Hashem, such arguments carry no weight. Danger to life is no excuse nor are deliberated considerations to the tune that "the time is not right" or "perhaps I can do better another way, another time, another place." Chillul Hashem BROOKS NO DELAY!!!!!!
Seeing the Egyptian kill the Jew, Moses, with ANGER AND FURY, struck the Egyptian to avenge the Jew's blood and G-d's honor. For as Rabbi Chanina said, "Striking the jaw of a Jew is like striking the jaw of the Divine Presence" (Sanhedrin 58b).
This is the Jewish response- NOT to let the gentile smite with impunity since every single blow represents a desecration of Israel and a desecration of G-d's Name. Anyone who smites a Jew MUST BE SMITTEN IN RETURN!!! Peirush HaMaccabee
Clouseau as The Inspector is also the main character in a series of short animated cartoons as part of The Pink Panther Show.More recent animated depictions from the 1970s onward were redesigned to more closely resemble Sellers, and later Martin.
Clouseau is an inept and incompetent police detective in the FrenchSûreté, whose investigations are marked by disorder. In The Pink Panther Strikes Again (1976), an attempt to interview witnesses leads to him falling down stairs, getting his hand caught in a medieval knight's gauntlet, then a vase; knocking a witness senseless, destroying a priceless piano, and accidentally shooting another officer. Nevertheless, Clouseau successfully solves his cases and finds the correct culprits, entirely by accident. He is promoted to Chief Inspector over the course of the series, and is regarded by background characters as France's greatest detective, until they encounter him directly. His incompetence, combined with his luck and his periodically-correct interpretations of the situation, eventually transform his direct superior (former Chief Inspector Charles Dreyfus) into a homicidalpsychotic. He appears convinced of his own intelligence, but does show some awareness of his limits, and attempts to appear elegant and refined regardless of what calamity he has just caused. Clouseau also insists upon elaborate costumes and aliases that range from the mundane (a worker for the phone company) to the preposterous (a bucktoothed hunchback with an oversized nose); but these are usually overcome by his characteristic mannerisms.
Chief Inspector Clouseau is a patriotic Frenchman; later films reveal he had fought in the French Resistance during the Second World War. He has been prone to infatuation (often reciprocated) ever since the first film, in which his antagonist cuckolds him. He is repeatedly perplexed by transvestites, to the extent that he addresses them as "Sir or Madam". Sellers maintained that Clouseau's ego made the character's klutziness funnier, in the attempt to remain elegant and refined while causing chaos. As rendered by Sellers, Clouseau's French accent became more exaggerated in successive films (for example, pronouncing "room" as "reum"; "Pope" as "Peup"; "bomb" as "beumb"; and "bumps" as "beumps" or "bimps", and a frequent running gag in the movies was that even French characters had difficulty understanding what he was saying. Much of that humour was lost in the French dubbing, wherein the French post-synchronization gave Clouseau an odd-sounding, nasal voice. Clouseau's immense ego, eccentricity, exaggerated French accent, and prominent mustache were derived from Hercule Poirot, the fictional Belgian detective created by Agatha Christie. In his earliest appearances, Clouseau is slightly less inept and exaggerated; but in his first appearance he believes himself a skilled violinist, but plays out of tune, and often appears clumsy at his moments of highest dignity.
Jacques Clouseau makes his first appearance as the Inspector in the 1963 film The Pink Panther, which was released in the United States in March 1964. In this movie, the main focus was on David Niven's role as Sir Charles Lytton, the infamous jewel thief nicknamed "the Phantom", and his plan to steal the Pink Panther diamond; while the Clouseau character plays a supporting role as Lytton's incompetent antagonist, and provides slapstick comic relief. In this film, Clouseau's wife Simone (Capucine), is secretly Sir Charles' lover and accomplice, and departs with him at the end of the film.
A Shot in the Dark (1964) was based upon a stage play that originally did not include the Clouseau character. In this film, Sellers began to develop the exaggerated French accent that later became a hallmark of the character. The film also introduces two of the series regular characters: his superior, Commissioner Dreyfus (Herbert Lom), who is driven mad by Clouseau's bungling; and his long-suffering Chinese man servant, Cato (Burt Kwouk), who is employed to improve Clouseau's martial arts skills by attacking him at random.
The 1968 film does appear to have influenced the Clouseau character when Sellers returned to the role in 1975's The Return of the Pink Panther, particularly in the character's mode of dress. The opening credits were animated by Richard Williams, featuring Clouseau once again seeking to retrieve the Pink Panther diamond after it is stolen by the Phantom, Sir Charles Lytton. The roles of Sir Charles and Lady Lytton are recast, now played by Christopher Plummer and Catherine Schell.
The Pink Panther Strikes Again continues the story from the end of The Return of the Pink Panther, featuring the now-insane Dreyfus creating a crime syndicate and constructing a doomsday weapon with the intention of using it to blackmail the world to kill Clouseau. Unused footage from this film was used to include Sellers in Trail of the Pink Panther. The opening credits were again animated by Richard Williams.
According to DVD liner notes for Return of the Pink Panther, Sellers and Edwards originally planned to produce a British television series centered on Clouseau, but a film was made instead, Revenge of the Pink Panther, which ignores Dreyfus' "death" in the previous film and has Clouseau investigating a plot to kill him after a transvestite criminal is killed in his place. The movie was a box office success and led to several more films after Sellers died in 1980; biographies of Sellers such as Peter Sellers—A Celebration reveal that he was involved in the pre-production of another Clouseau film, The Romance of the Pink Panther, at the time of his death.
Blake Edwards attempted to continue telling Clouseau's story despite losing his lead actor. The 1982 film Trail of the Pink Panther utilized outtakes and alternative footage of Sellers as Clouseau in a new storyline in which a reporter (played by Joanna Lumley) investigates Clouseau's disappearance. In the process, she interviews characters from past Clouseau films (including the Lyttons, played by the returning David Niven and Capucine), and also meets Clouseau's equally inept father (played by Richard Mulligan).
The immediate sequel to Trail, Curse of the Pink Panther, reveals that Clouseau underwent plastic surgery to change his appearance; the character appears on screen briefly in the form of a joke cameo appearance by Roger Moore, billed as "Turk Thrust II". David Niven and Capucine again reprise their original Pink Panther roles as the Lyttons, now also joined by the returning Robert Wagner as nephew George Lytton. Neither Trail nor Curse were box office moneymakers, and the series was retired for about a decade.
Despite the failure of Curse, Edwards attempted to revive the series a decade later with Son of the Pink Panther, in which it is revealed that Clouseau had illegitimate children by Maria Gambrelli (played by Elke Sommer in A Shot in the Dark, although recast in this film as Claudia Cardinale, who played the Princess in The Pink Panther). Clouseau's son, Jacques Jr., was portrayed by Roberto Benigni, and has a twin sister, Jacqueline, played by Nicoletta Braschi. Jacques Jr. attempts to follow in his father's police footsteps, but is revealed to have inherited his ineptitude.
Steve Martin's rendition of Clouseau in the 2006 film depicts Clouseau as a bumbling Gendarme hired by Chief Inspector Dreyfus to serve as the visible investigator into a high-publicity murder, so that Dreyfus can carry out his own investigation without risking repercussions of failure; but Martin's Clouseau is considerably older than Sellers', and although the 2006 film was placed prior to the events of the first Pink Panther film, the time frame has been advanced to the present day. Although foolish, Martin's Clouseau is able to locate the Pink Panther diamond and solve the case by knowledge, and observation, of obscure data. A running gag in this and the following film has Clouseau randomly attacking his partner, Gilbert Ponton, only to be countered each time. This is similar to a gag in the original films with Clouseau's original sidekick Cato Fong, although this gag was reversed with Cato attacking Clouseau.
When a series of rare and historical artifacts are stolen by the mysterious Il Tornado, Clouseau is assigned to a "dream team" of international investigators to recover the artifacts and the Pink Panther. Despite appearing to be bumbling and clumsy as usual, Clouseau once again displays surprising cleverness through his unorthodox methods. For example, he replaces the Pink Panther with a near perfect fake, reasoning that if The Tornado was the culprit, he would have been able to tell that the Pink Panther was a fake. He also causes several problems for Dreyfus, as usual. The film culminates in his marriage to Nicole Durant, Dreyfus' secretary.
These nine Holocaust Survivors have come together to send you a message. It's unforgettable. For International Holocaust Remembrance Day (it was last Friday the 27th of January), let's show them we are listening. Post your picture with #WeRemember